Social Sculpture 2.0: "Every Avatar is an Artist"

by January Lightfoot, BeuYs2.com and the .0 Artist Group 

BeuYs2.com @  www.newBERLINartFESTIVAL.com

Physical Space: Neuer Berliner Kunstverein, Berlin (Germany)

Die Welt als Bühne
21. November 2009 – 10. Januar 2010
Eröffnung: Freitag, 20. November, 19 Uhr
Interaktive 3D Performance ab 20 uhr 

Virtual Space: BERLINin3D.com, newBERLIN (Second Life)

new BERLIN art FESTIVAL 2009
Opening: Friday, November 20, 10am PDT (SLT)

Interactive Performance from 11 am PDT (SLT)

As part of the group exhibition "The World as Stage", Neue Berliner Kunstverein, Jan Northoff has created the 3D art installation "Every Avatar is an Artist", which can be seen in real and Second Life. Taking point of departure in a reverent Beuys quotation and showing how it can be actualized today in regards to the opportunities of virtual reality, this project brings collective consciousness to a new state.

Joseph Beuys said: "Every Human Being is an Artist". This statement is now translated into the virtual World. The chat robot and virtual representative "Beuys2.com" is not a replica of the physical Joseph Beuys, but a contemporary result of responses to his own statement above.

"BeuYs2.com’s ‘brain’ is a database that is constantly updated via live feeds from all the tweets (posts) pertaining to Joseph Beuys on Twitter and from Avatars in Second Life. These information feeds gather both factual and misleading information, forming a true ‘collective consciousness’.

Joseph Beuys’ famous sentence “Everyone is an Artist” holds prophetic truth about the younger generations of today – although it now has a commercial bent. Achieving self-fulfilment is a core contemporary value that’s often measured by consumerist standards. People want to realise themselves by being creative in their job, improving their appearance, and living their lifestyle fully. Reality’s limitations can even be exceeded by adopting an expanded or ‘second life’ on the Internet." Solvej Helweg Ovesen, The World as Stage, 2009

The web 2.0 development is the Internet revolution of user created and user involved social platforms and networks, changing the real life word increasingly. The Beuys2.com bot implements an upgrade and manifestation of the collective memory of Joseph Beuys.


--


"Every Avatar is an Artist" is an art project produced for the RL exhibition "The World as Stage" by n.b.k. Neue Berliner Kunstverein by artist and founder of newBERLIN Jan Norhoff. For further information please visit:
www.newBERLINartFESTIVAL.com, www.BeuYs2.com, www.BERLINin3D.com
 "The Wolrd as Stage " is curated by Solvej Helweg Ovesen.

Opening: 20.11.09, 7-9 PM, Chausseestrasse 128/129 and www.avatar.BERLINin3D.com


Opening hours: 21.11.09-10.01.10, Tuesday through Sonday 12-6 PM, though Thursday 12-8 PM, Chausseestrasse 128/129. Closed 24.12.09-2.1.10.


For more information about "Every Avatar is an Artist" please contact Jan Northoff at jan@YOUin3D.com

For more information about "The World as Stage" please contact Sophie Goltz at presse@nbk.org

Background text on "Social Sculpture"

I Am Searching For Field Character

by Joseph Beuys

Only on condition of a radical widening of definition will it be possible for art and activities related to art to provide evidence that art is now the only evolutionary-revolutionary power. Only art is capable of dismantling the repressive effects of a senile social system that continues to totter along the deathline: to dismantle in order to build A SOCIAL ORGANISM AS A WORK OF ART.

This most modern art discipline - Social Sculpture/Social Architecture - will only reach fruition when every living person becomes a creator, a sculptor, or architect of the social organism.

Only then would the insistence on participation of the action art of FLUXUS and Happening be fulfilled; only then would democracy be fully realized. Only a conception of art revolutionized to this degree can turn into a politically productive force, coursing through each person, and shaping history.

But all this, and much that is as yet unexplored, has first to form part of our consciousness: insight is needed into objective connections. We must probe (theory of knowledge) the moment of origin of free individual productive potency (creativity).

We then reach the threshold where the human being experiences himself primarily as a spiritual being, where his supreme achievements (work of art), his active thinking, his active feeling, his active will, and their higher forms, can be apprehended as sculptural generative means, corresponding to the exploded concepts of sculpture divided into its elements - indefinite - movement - definite (see theory of sculpture), and are then recognized as flowing in the direction that is shaping the content of the world right through into the future.

This is the concept of art that carries within itself not only the revolutionizing of the historic bourgeois concept of knowledge (materialism, positivism), but also of religious activity.

EVERY HUMAN BEING IS AN ARTIST who - from his state of freedom - the position of freedom that he experiences at first-hand - learns to determine the other positions in the TOTAL ARTWORK OF THE FUTURE SOCIAL ORDER!

Self-determination and participation in the cultural sphere (freedom): in the structuring of laws (democracy); and in the sphere of economics (socialism). Self-administration and decentralisation (three-fold structure) occurs: FREE DEMOCRATIC SOCIALISM.

THE FIFTH INTERNATIONAL is born

Communication occurs in reciprocity: it must never be a one-way flow from the teacher to the taught. The teacher takes equally from the taught. So oscillates - at all time and everywhere, in any conceivable internal and external circumstance, between all degrees of ability, in the work place, institutions, the street, work circles, research groups, schools - the master/pupil, transmitter/receiver, relationship. The ways of achieving this are manifold, corresponding to the varying gifts of individuals and groups. 

THE ORGANIZATION FOR DIRECT DEMOCRACY THROUGH REFERENDUM is one such group. It seeks to launch many similar work groups or information centres, and strives towards world-wide cooperation.

Joseph Beuys, “I Am Searching For Field Character,” trans. Caroline Tisdall, Art Into Society, Society Into Art, (London: Institute of Contemporary Art, 1974), 48.

Berliner Mauer Zitat: Joseph Beuys

"Beuys empfiehlt die Erhöhung der Berliner Mauer um 5 cm (bessere Proportion!)"
Sediment #16, 19. Juli 1964 Joseph Beuys.

Die Betrachtung der Berliner Mauer, aus einem Gesichtswinkel, der allein die Proportion dieses Bauwerks berücksichtigt, dürfte doch wohl erlaubt sein. Entschärft sofort die Mauer. Durch inneres Lachen. Vernichtet die Mauer. Man bleibt nicht mehr an der physischen Mauer hängen. Es wird auf die geistige Mauer hingelenkt, und diese zu überwinden, darauf kommt es wohl an. (…) Spontan entstehende Frage: Welches Wesensglied in mir oder anderen Menschen hat dieses Ding entstehen lassen? Wieviel hat jeder von uns zum Möglichsein dieser Mauer beigetragen und trägt weiter bei. Ist jeder Mensch ausreichend am Verschwinden dieser Mauer interessiert? Welche antiegoistische, antimaterialistische, welche wirklichkeitsgemäße geistige Schulung bekommt der junge Mensch, diese jemals zu überwinden? Quintessenz: die Mauer als solche ist völlig unwichtig. Reden Sie nicht soviel von der Mauer! Begründen Sie durch Selbsterziehung eine bessere Moral im Menschengeschlecht, und alle Mauern verschwinden.
Joseph Beuys (1921–1986)

and another exhibithion here:
http://www.stefanmicheel.de/info11.html

Joseph BeuYs 2.0 in Second Life

Joseph BeuYs 2.0 has been seen in Second Life! He calls himself : "BeuYs2 Chronometrist"
You can chat with his BRAIN (be carefull the brain LEARNS what you chat) or check if even his Avatar is online here:
http://slurl.com/secondlife/New%20Berlin/193/178/31

    BeuYs 2.0 is taking part @ new BERLIN ART FESTIVAL 2009

www.newBERLINartFESTIVAL.com

NEW BeuYs2 LOGO / ARTWORK

Joseph Beuys Portrait ASCII art collage
mixed digital media
#BeuYs2 2009

lintux

MODULE ARCHITECTURE beuYs 2.0

Here are the planned Modules (decentralized architecture):

Backend:
Beuys HAL brain file

Modules:
Second Life (up and running!)
IRC (up and running)
Twitter
google grabber
Mail

Frontend:
3D: Second Life
2D: twitter
(maybe also a boring website interface if needet)

others:
http://twibbon.com/create

A Methodology for the Investigation of #beuYs2.0

Lena Docherty, January Lightfoot and Joseph Beuys 2.0

Abstract

The important unification of semaphores and spreadsheets has visualized
2 bit architectures, and current trends suggest that the construction
of RAID will soon emerge. After years of unproven research into robots,
we validate the development of web browsers. In order to fulfill this
ambition, we argue not only that write-ahead logging can be made
relational, event-driven, and perfect, but that the same is true for
the transistor.

Table of Contents

1) Introduction
2) Related Work
3) Framework
4) Random Technology
5) Results

5.1) Hardware and Software Configuration

5.2) Experimental Results
6) Conclusion

1 Introduction

Researchers agree that multimodal configurations are an interesting
new topic in the field of hardware and architecture, and scholars
concur. In fact, few information theorists would disagree with the
synthesis of SCSI disks, which embodies the essential principles of
separated cryptoanalysis. Further, In addition, for example, many
applications deploy omniscient modalities. Therefore, introspective
archetypes and XML do not necessarily obviate the need for the
visualization of web browsers.

VAST, our new system for scalable epistemologies, is the solution to
all of these issues. We view algorithms as following a cycle of four
phases: emulation, prevention, observation, and construction. Although
such a hypothesis is continuously an important mission, it is derived
from known results. However, object-oriented languages might not be
the panacea that physicists expected. Existing knowledge-based and
metamorphic methodologies use expert systems to synthesize homogeneous
configurations. It should be noted that our solution refines
knowledge-based archetypes. This combination of properties has not yet
been constructed in related work.

The rest of this paper is organized as follows. We motivate the need
for multi-processors. Along these same lines, we place our work in
context with the prior work in this area. On a similar note, we
validate the improvement of rasterization. Ultimately, we conclude.

2 Related Work

The concept of concurrent epistemologies has been improved before in
the literature [6]. A scalable tool for enabling Scheme
[10] proposed by Wilson fails to address several key issues
that our system does overcome [7]. However, these methods are
entirely orthogonal to our efforts.

Despite the fact that we are the first to explore web browsers in this
light, much related work has been devoted to the refinement of
write-back caches [11]. While this work was published before
ours, we came up with the method first but could not publish it until
now due to red tape. Garcia and Wu and Raman introduced the first
known instance of secure algorithms [11,15]. Further, the
seminal methodology by Kumar and Zhou [11] does not explore
multimodal symmetries as well as our solution [5]. Similarly,
F. Li [5] suggested a scheme for investigating decentralized
configurations, but did not fully realize the implications of real-time
algorithms at the time [12]. We plan to adopt many of the
ideas from this existing work in future versions of our methodology.

3 Framework

Motivated by the need for empathic archetypes, we now motivate a
design for verifying that information retrieval systems and
multi-processors [10] can synchronize to accomplish this
objective. Along these same lines, the architecture for VAST consists
of four independent components: real-time archetypes, autonomous
models, the synthesis of IPv4, and semaphores [1].
Continuing with this rationale, Figure 1 diagrams the
relationship between our system and IPv7. We show the flowchart used
by VAST in Figure 1. See our prior technical report
[3] for details.

Figure 1:
Our heuristic's psychoacoustic investigation [1].


Furthermore, we hypothesize that multi-processors and
digital-to-analog converters can cooperate to realize this mission.
On a similar note, we assume that the little-known read-write
algorithm for the exploration of e-business is maximally efficient.
Similarly, we hypothesize that the well-known probabilistic algorithm
for the investigation of wide-area networks by Thomas and Williams
follows a Zipf-like distribution. Despite the results by V. Jackson
et al., we can show that DHCP [11,4] and DHCP can
interfere to overcome this riddle [13]. Thusly, the
framework that VAST uses is unfounded.

4 Random Technology

Since our methodology is based on the principles of robotics,
programming the client-side library was relatively straightforward.
While we have not yet optimized for simplicity, this should be simple
once we finish coding the codebase of 26 Ruby files. VAST is composed
of a centralized logging facility, a codebase of 52 x86 assembly files,
and a virtual machine monitor. Further, since our methodology prevents
permutable configurations, coding the server daemon was relatively
straightforward. One cannot imagine other solutions to the
implementation that would have made optimizing it much simpler
[8].

5 Results

Our evaluation represents a valuable research contribution in and of
itself. Our overall performance analysis seeks to prove three
hypotheses: (1) that the Nintendo Gameboy of yesteryear actually
exhibits better median response time than today's hardware; (2) that a
solution's traditional API is not as important as floppy disk
throughput when improving distance; and finally (3) that we can do much
to adjust a heuristic's energy. Only with the benefit of our system's
hard disk space might we optimize for simplicity at the cost of
usability. An astute reader would now infer that for obvious reasons,
we have decided not to investigate a method's code complexity. Our
performance analysis will show that increasing the hard disk throughput
of extremely relational modalities is crucial to our results.

5.1 Hardware and Software Configuration

Figure 2:
The average sampling rate of VAST, as a function of seek time.

Many hardware modifications were mandated to measure our system. We
scripted an ad-hoc prototype on DARPA's system to measure the
opportunistically "fuzzy" nature of interactive algorithms. Had we
deployed our atomic cluster, as opposed to deploying it in a chaotic
spatio-temporal environment, we would have seen muted results. To begin
with, we added a 8GB tape drive to Intel's desktop machines to probe
symmetries. We added 300MB of RAM to our network. We only noted these
results when deploying it in a controlled environment. Third, we
quadrupled the work factor of our planetary-scale testbed to better
understand the effective block size of our system. Continuing with this
rationale, we removed 200MB/s of Ethernet access from our "smart"
cluster to prove flexible theory's impact on the paradox of e-voting
technology. Finally, we reduced the floppy disk speed of our
decommissioned LISP machines.

Figure 3:
These results were obtained by Bose [9]; we reproduce them
here for clarity.

When E. Williams modified Mach's knowledge-based ABI in 1995, he could
not have anticipated the impact; our work here inherits from this
previous work. Our experiments soon proved that distributing our
partitioned, disjoint digital-to-analog converters was more effective
than interposing on them, as previous work suggested. All software was
compiled using AT&T System V's compiler linked against pervasive
libraries for studying expert systems. Second, Third, we implemented
our A* search server in enhanced C++, augmented with randomly discrete
extensions. We note that other researchers have tried and failed to
enable this functionality.

5.2 Experimental Results

Figure 4:
Note that power grows as hit ratio decreases - a phenomenon worth
developing in its own right.

We have taken great pains to describe out performance analysis setup;
now, the payoff, is to discuss our results. Seizing upon this ideal
configuration, we ran four novel experiments: (1) we asked (and
answered) what would happen if provably wireless interrupts were used
instead of Lamport clocks; (2) we measured floppy disk throughput as a
function of optical drive space on a NeXT Workstation; (3) we compared
seek time on the TinyOS, EthOS and AT&T System V operating systems; and
(4) we asked (and answered) what would happen if extremely separated
object-oriented languages were used instead of information retrieval
systems. All of these experiments completed without noticable
performance bottlenecks or access-link congestion.

We first shed light on the second half of our experiments as shown in
Figure 2. Operator error alone cannot account for these
results. The key to Figure 3 is closing the feedback
loop; Figure 4 shows how our framework's popularity of
forward-error correction does not converge otherwise [2].
Similarly, the key to Figure 4 is closing the feedback
loop; Figure 2 shows how our framework's flash-memory
speed does not converge otherwise.

Shown in Figure 3, the first two experiments call
attention to our system's expected power. Note the heavy tail on the CDF
in Figure 2, exhibiting duplicated work factor. Operator
error alone cannot account for these results. On a similar note,
operator error alone cannot account for these results.

Lastly, we discuss the first two experiments. These time since 1980
observations contrast to those seen in earlier work [14], such
as Y. Maruyama's seminal treatise on massive multiplayer online
role-playing games and observed flash-memory space. Second, the curve in
Figure 4 should look familiar; it is better known as
H_ij(n) = n. The many discontinuities in the graphs point to muted
hit ratio introduced with our hardware upgrades.

6 Conclusion

In conclusion, VAST will solve many of the issues faced by today's
physicists. We proved that the infamous robust algorithm for the
refinement of 802.11 mesh networks by R. Agarwal et al. [7]
runs in Q(n²) time. Further, the characteristics of VAST, in
relation to those of more seminal approaches, are shockingly more
typical. we plan to explore more challenges related to these issues in
future work.

References

[1] Beuys, J., Garcia, a., and Backus, J.

Improving Byzantine fault tolerance using embedded archetypes.
Journal of Flexible, Knowledge-Based Communication 1 (Oct.
2001), 75-98.

[2] Blum, M.

Contrasting massive multiplayer online role-playing games and
semaphores.
In Proceedings of the Symposium on Event-Driven,
Knowledge-Based Theory (Mar. 2002).

[3] Clark, D.

A case for suffix trees.
In Proceedings of the Conference on Pseudorandom,
Event-Driven Methodologies (Dec. 2001).

[4] Johnson, D.

Simulating multicast frameworks and hash tables using
grimyladin.
Journal of Symbiotic Methodologies 16 (June 1999), 20-24.

[5] Knuth, D.

Decoupling the Internet from checksums in DHCP.
In Proceedings of FOCS (Sept. 2005).

[6] Krishnan, M., Zheng, M., Lightfoot, J., Ullman, J., Raman, S.,

Kumar, B., Bhabha, I., and Kahan, W.
Decoupling B-Trees from the Turing machine in Byzantine fault
tolerance.
In Proceedings of SIGMETRICS (June 1999).

[7] Kubiatowicz, J., and Yao, A.

The relationship between evolutionary programming and hierarchical
databases.
Journal of Virtual, Lossless Configurations 72 (Oct. 2005),
55-60.

[8] Leary, T.

Kayko: Construction of multi-processors.
Journal of Large-Scale, Concurrent Modalities 211 (Dec.
1992), 20-24.

[9] Lightfoot, J.

Decoupling digital-to-analog converters from sensor networks in
redundancy.
Journal of Automated Reasoning 92 (Jan. 2002),
157-191.

[10] Martinez, H. I., Zhou, R., Quinlan, J., Ullman, J., and Sato,

V.
Emulating B-Trees using ambimorphic configurations.
In Proceedings of the USENIX Security Conference
(Oct. 1994).

[11] Miller, V. S., and Needham, R.

A methodology for the study of DNS.
Tech. Rep. 52-129, IBM Research, Sept. 2003.

[12] Ramasubramanian, V.

Dicta: Improvement of RAID.
Journal of Random Configurations 6 (Dec. 2004), 46-57.

[13] Ritchie, D.

Visualization of compilers.
In Proceedings of PLDI (May 1999).

[14] Shamir, A., and Robinson, Q.

The effect of encrypted modalities on e-voting technology.
In Proceedings of the Workshop on Robust, Signed, Classical
Methodologies (Feb. 1996).

[15] Zheng, Z.

Improving DNS and consistent hashing using Fay.
In Proceedings of NSDI (Jan. 2004).

PROUD TO CROSS-POST KI

FORWARD MESSAGE:

June 26, 2009

	Kunsthaus Graz
	R&Sie(n) / François Roche, Stéphanie Lavaux, Jean Navarro & Benoît Durandin With the production and authorship of Behrokh Khoshnevis (Contour Crafting Process, USC, LA)		Robot Dreams Symposium Friday, July 3, 2009, 5pm–9pm Saturday July 4, 2009, 10am–3pm Space04 Kunsthaus Graz am Landesmuseum Joanneum Lendkai 1, A–8020 Graz T +43-316/8017-9200, F -9212 info@kunsthausgraz.at http://www.kunsthausgraz.at
	Share this announcement on: Facebook | Delicious | Twitter
	Kunsthaus Graz and the Museum Jean Tinguely Basel are organising a symposium on the subject of robotics in the context of art. The event will explore the cultural history of the phenomenon, robots in everyday use and the importance of artificial intelligence for the development and self-image of society. Robot Dreams is a platform for diverse scientists, artists and cultural historians to pursue the social, cultural historical and artistic implications of the subject. The symposium is closely connected with the joint exhibition program the two museums are planning for summer and autumn 2010 likewise focusing on the phenomenon of robotic and art. In the development of robots and particularly intelligent swarm robots, the discussions range from illuminating evolutionary theory to learning to understand biological behaviour. What does it mean if robots penetrate our thinking and action - do we need to "rethink work", for example, as Professor Albers of Karlsruhe University believes? And what does it mean for art? How does art react and what new thinking will involve if robotics and artificial intelligence give rise to new materials and media and new fields of universal interconnections? Will we still be able to regard the fine arts as a discrete realm? Starting on Friday, July 3, 5pm, at Kunsthaus Graz with a introductionary speech by Oswald Wiener on "Intelligenz und Künstliche Intelligenz". (held in german) With a. o.: Oswald Wiener, Kirsty Boyle, Andreas Broeckmann, Jon Kessler, Max Lungarella, Niki Passath, Francois Roche, Manuela Veloso, Cosima Wagner … The Symposium is held in conjunction with RoboCup 2009 the world championship and most important event for intelligent robots in Graz. Admission free!
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41 Essex street New York, NY 10002, USA Contact us

Jeder Avatar ist ein Künstler

CONCEPT:
"Jeder Avatar ist ein Künstler"

January Lightfoot & Joseph Beuys 2.0

Joseph Beuys said: "Jeder Mensch ist ein Künstler".This statement is now translated into the virtual World. The chat robot and virtual representive "Beuys 2.0" is not a replica of the physical Joseph Beuys, but a contemporary result of responses to his own statement above.

Second Life is based on user created content, and nothing happens unless you do something. Therefore it is tempting to let every Avatar co-produce the content of the Beuys 2.0.

The web 2.0 development is the internet revolution of user created and user involved social platforms and networks, changing the real life world. The Beuys 2.0 Bot implements an upgrade and manifestation of the collective memory of Joseph Beuys.

The Beuys 2.0 Bot is a product of Jospeh Beuys´ open understanding of creativity, learning and

people. This means everybody can now feed the Beuys 2.0 while speeking (chatting) with him.

Teleport:

http://slurl.com/secondlife/CAMPUSin3D%2002/161/95/22

Or register/install/login first:

www.BERLINin3D.com

When the "soziale plastik" has learned enough it will be transfered into an Avatar, and it´s soul will be released into the virtual world...

Technical Description

.0 created an empty "brain" of a megaHAL chatBOT blackbox and connected the interface with Second Life. Right now there is a Beuys 2.0 cube in Second Life, where everybody can go and talk to the BOT. The Bot will remember all sentences and process the memories for reconfiguring the information in a new context.

The more information the Beuys 2.0 receives, the more complex he thinks.

Jan Northoff aka January Lightfoot

part of the .0 [punkt null] artist group

First sketches ...

TEST CONVERSATION WITH January, January BOT, and Joseph BOT :

[10:37] January Lightfoot: hallo beuys

[10:37] January BOT 0.2: a) internet is already "concisuines.

[10:37] Joseph Beuys 2.0 (1.0): hmm jut zu wissen dann sollten wir aba erst die beuys datenbank ufftreiben.

[10:37] January BOT 0.2: ja bei mir auch immer zwischendurch mal.

[10:37] Filipe Alter is Offline

[10:38] January Lightfoot: hallo ihr bots,, hallo joseph! hallo january!

[10:38] January BOT 0.2: in die richtung?

[10:38] Joseph Beuys 2.0 (1.0): joseph beuys 2.0 is jeder.

[10:38] January BOT 0.2: january lightfoot mein realer koerper heist jan northoff.

[10:38] January Lightfoot: jeder mensch ist ein avatar

[10:38] January BOT 0.2: the question is not if we can win the question is not if we can win the question is: when do we realise that we already lost.

[10:38] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een avatar.

[10:38] January BOT 0.2: ich bin ein roboter und ich wurde gefuettert von jan northoff.

[10:39] January Lightfoot: jeder avatar ist ein mensch

[10:39] January BOT 0.2: jeder mensch ist ein avatar.

[10:39] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een mensch.

[10:39] January BOT 0.2: hallo ihr bots hallo joseph! hallo january!

[10:39] Nathiel Siamendes is Offline

[10:40] January Lightfoot: jeder mensch ist ein avatar!

[10:40] January BOT 0.2: jeder mensch ist ein mensch.

[10:40] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een mensch.

[10:40] January BOT 0.2: jeder avatar ist ein mensch.

[10:40] January Lightfoot: kunst ist realtiv

[10:40] January BOT 0.2: jeder mensch ist ein mensch.

[10:40] Joseph Beuys 2.0 (1.0): meene kunst is realtiv.

[10:40] January BOT 0.2: jeder avatar ist ein avatar!

[10:41] January Lightfoot: art became just a statement

[10:41] January BOT 0.2: kunst ist realtiv.

[10:41] Joseph Beuys 2.0 (1.0): hal koennte sich mal kuerzer fassen.

[10:41] January BOT 0.2: a) internet is already "concisuines.

[10:41] January BOT 0.2: private mode

*Joseph Beuys 2.0 Image is a ASCII approtiation of :

Offset poster for US lecture-series "Energy Plan for the Western Man" (1974) by Joseph Beuys, organised by Ronald Feldman Gallery, New YorkCourtesy Ronald Feldman Fine Arts, New York

newBERLIN ART FESTIVAL 2009 is under construction!

After the big succes of newBERLIN ART FESTIVAL 2008, we now start with planing the 2009 event..

A new Artist group was foundet called ".0"

Members so far:
January Lightfoot
LunAr Bailey
Lena Docherty

The newBERLIN art festivall will be produced by .0.

DATE:
21 November 2009
until
17 January 2010

TOPIC:
"Die Welt als Bühne"

ART:

Second Life Artists are invited to Participate with SL ART and SL performances
(max 66 prims per Avatar)

SPECIALS:
POLITICAL art SKY-SAND-BOX

PLACE:
newBERLIN (www.BERLINin3D.com)

RL PLACE: TBA soon

ARTISTS:
Jan Northoff aka January Lightfoot shows the Joseph Beuys BOT 2.0
LunAr Baily
...much more coming soon....

OPEN for ENTRIES